I might write easily about the town I call home (close and familiar all my life). Here the river Cocker (twelve miles from it’s source at the head of the Buttermere valley) runs into the Derwent, which carries its waters (another nine miles) out to the coast. I’ve grown to see the town’s subtleties as worthy of protection and preservation. The floods that struck the town, in years gone by, took homes from folks, and broke businesses, but (overall, I believe) they didn’t shake the place’s identity.
I may go meta (here) about meetings. I have been hearing, and reading (In Martin Buber’s I and Thou) about the worlds that we connect in, and the ways that we connect; we: natural beings, human beings, and (if you’ll let me have it) spiritual beings. I am taking liberties.
I did not grow up espousing the hills and vales that hemmed me in, nor the bards of the lakes that haunted their clouded tops and low hanging mists. Those poets that garnered popularity, and whose fame endured; they seemed to me to be the antithesis of everything edgy, that (from my tens through to my twenties plus) desperately (and successfully) demanded my attention. They made their own impressions, though (the landforms and their lovers). I might yet make a friend of Coleridge’s inquiring spirit.
The climate here (socially) has never felt as foreign to me, as it does now. Familiar faces are (essentially?) obscured, and (though this country’s people are often recognised as being self-restrained) some of us seem to be overcome by a distant manner that isn’t inherent. Every thing does change, and I imagine (hope, maybe) that every flu and fad floats over and away from something more lasting and substantial. All that said, I am not at all averse to fashion or import, and any strange day (be it haunted or blessed) is rarely not improved by the use…or misuse (I am guilty) of the popular Japanese poetic form (the Haiku).
I often take a quiet moment, at the place (pictured) where the rivers meet.
Sitting there (with myself, with nature, or with spirit) I doubt it would be terribly foolish to try to do the form justice, and pen 17 syllables that breathe out the movement of the moment and the feel of the season.
Clouds covered the whole face of the sun, today, and I stayed a little further inside my own mind than I might usually. The closest I came to inspiration was in reverie of a fond carefree complacency…actually in solemn recognition of its absence from the conversation shared with a family friend that I chanced to meet on the street.
we hover and see
nothing touching lightly but
clouds meeting pavements